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The Australian-born author Christina Stead’s sixth novel, ''Letty Fox: Her Luck'', is an energetic tribute to the drama of the urban environment and its role in socializing its occupants. Published in 1946, Stead wrote the lengthy ''Letty Fox'' after living in New York City for seven years. The cosmopolitan setting serves well as the theater in which Stead develops her characters through their adventures with numerous careers, love affairs, familial obligations, and sensitivities to reputation. To this end, ''Letty Fox'' has been described as “a modern picaresque novel and psychological novel at the same time.”〔Rudolf Bader, "Christina Stead," excerpted and reprinted in ''Contemporary Literary Criticism'', Vol. 58, ed. Roger Matuz (Detroit: Gale Research Inc., 1990), 333.〕 In a break from her typical style of story-telling, Christina Stead wrote ''Letty Fox'' from the first person perspective. The novel’s protagonist narrator, Letty Fox, reveals herself as a bundle of contradictions. While Letty is a shrewd observer of human behavior, her perceptions and reactions are in various instances romantic, conservative, and feminist. Stead introduces the reader to Letty at the restless age of 24 with the following mise en scène:
This beginning hints at Letty’s capacity to be sexually frank, along with her steadfast desire to act with commonsense. While major political events, such as the economic depression and World War II, provide setting for ''Letty Fox: Her Luck'', the reader finds that the story devotes itself to the psychological development of its main character. In what Rudolf Bader has referred to as a “one long bildungsroman,” Stead wrote ''Letty Fox'' as a colossally comic coming-of-age, wherein readers are introduced to the colorful personalities that shaped the heroine’s young life.〔Bader, 333.〕 Letty gains wisdom through lessons bestowed by her unusual family and her numerous unsuccessful relationships with unsuitable men, including her passionate mania for Luke Adams (“a tease, a hound of love”). Stead ends the novel when Letty rejects a life of scattered sexual aggression, in favor of the stability of marriage. Letty’s decision to marry her friend, Bill van Week, has been interpreted by literary critics as an acceptance of the sexual economics that dominate middle-class male/female relationships at the time.〔Susan Sheridan, ''Christian Stead'' (Harvester Wheatsheaf, 1988).〕 However, that is not to suggest that Stead’s reputation as a writer lacks a feminist perspective. On the contrary, through the character of Letty, Stead portrays a complex woman struggling inside of the patriarchal structures that confine her to a particular world. Letty’s choice to marry and have a child - because she is “tired of steering” in a sea of men - may be viewed as Stead's criticism of a society that strictly limits female experience. Like many of Stead’s female characters, the fictionalized women of ''Letty Fox: Her Luck'' are conscious of the ways in which the male capitalist culture dominates them. At least one critic has judged Letty as “a heartless betrayer,” who borrows from and champions the suppressive ideology of power, exploiting others to achieve her goals.〔Angela Carter, "Unhappy Families," ''London Review of Books'', September 16 - October 6, 1982.〕 Or, maybe Letty just gets lucky. == References == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Letty Fox: Her Luck」の詳細全文を読む スポンサード リンク
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